“Many Have Been Deceived”

The Omniscient Longchenpa on the path of the consort and the path of liberation

A Subject That Must Be Touched Gently

Few subjects in the whole of the Buddhist path are as delicate as this one. The union of method and wisdom in the body, the path that the tantras call karmamudrā, the action seal, belongs to the most secret layer of Secret Mantra. It was never meant to be discussed in public, and the masters spoke of it, when they spoke of it at all, in symbols, in the presence of qualified disciples, and with an insistence on prerequisites so exacting that very few could ever meet them. To write about it openly is to risk two opposite harms at once.

The first harm is to profane what is profound. The completion stage of bliss and emptiness is not a curiosity, not an exotic technique, and not a licence. It is the third empowerment made into a path, the place where desire itself is recognised as the radiance of wisdom. To speak of it carelessly is to make it trivial, and to make it trivial is to close it for those who might one day be ready for it.

The second harm is to shelter what is false. In every age, and with painful clarity in our own, the language of this path has been used to clothe ordinary desire, abuse of power and the exploitation of trust in the robes of the sacred. Silence about the dangers protects no one but those who would misuse the teaching.

Between these two harms there is only one safe ground: the words of the masters themselves, read with care, in their full context, without adding anything and without taking anything away. And among all the voices of the tradition, none is more trustworthy on this subject than the Omniscient Longchenpa, who was at once the greatest systematiser of the Secret Mantra, the supreme master of the Great Perfection, and a hermit of the mountains who wrote, out of renunciation, a few verses of advice for himself and for those like him.

The Stanza and Its Setting

The Thirty Pieces of Heart Advice is among the most beloved of all the Omniscient Longchenpa’s writings. Each of its thirty stanzas names a trap that lies in wait for the spiritual practitioner, and each ends with a short refrain of heart advice: to remain alone, to tame one’s own mind, to have few aspirations, to remain self-reliant. The traps are not the gross faults of worldly people. They are the subtle counterfeits of the spiritual life itself: building monasteries that become fields of dispute, teaching for the sake of greatness, gathering a following, peddling one’s qualities, accumulating learning that is never applied.

The sixteenth stanza names the counterfeit of the path of means. The Omniscient Longchenpa describes practitioners who let the innermost essence descend for the sake of the third empowerment, thinking that they enhance their practice by relying on a consort. And then he gives his verdict: many, he says, have been deceived by such contaminated ways. The refrain follows: his heart advice is to practise the path of liberation.

The weight of this stanza comes from its author. The Omniscient Longchenpa did not stand outside the Secret Mantra looking in. He had received the empowerments of the old and new tantras, he expounded the completion stage in his Great Chariot and in the Wish-Fulfilling Treasury, and he held the lineages of the Heart Essence in which the subtle body is mapped with unrivalled precision. When such a master writes that many have been deceived, he is not condemning a path he does not know. He is describing, from within, what he has seen happen to those who walked it wrongly.

What Exactly Is Warned Against

The stanza does not say that the path of the consort is false. It says that many have been deceived by contaminated ways of practising it. Every word of the verse points to the place where the deception enters, and none of them is the method itself.

Contamination

The word that carries the weight is contaminated. In the language of the Abhidharma, the contaminated, zag bcas, literally with outflow, is whatever is still mixed with craving and grasping; the uncontaminated is the wisdom free of them. A contaminated practice of union is therefore one in which the form of the completion stage is present, the posture, the breath, the envisioning, the consort, but the substance is ordinary desire. Its outer shape belongs to the third empowerment; its inner motion belongs to saṃsāra.

Thinking it enhances the practice

The Omniscient Longchenpa does not describe people who abandon practice for pleasure. He describes people who think they are enhancing their practice. This is the heart of the deception. The deceived practitioner is sincere. He has received the empowerments, he knows the theory of the four joys and the descent of the essence, and he genuinely believes that the bliss he experiences in union is the bliss of wisdom. The trap is not hypocrisy; it is self-deception, the most difficult deception of all to see through, because it uses the very language of the path against the path.

Letting the essence descend

The stanza names a precise technical point. In the completion stage, the nectar essence descends from the crown through the four chakras, and each stage of descent brings one of the four joys; then it must be held and reversed, drawn back upward and stabilised. The whole power of the method lies in that holding and reversal, in the transformation of the movement of desire into the stillness of bliss and emptiness. To let the essence descend without the capacity to hold and reverse it is to perform the outer action of the yoga while losing its inner point. The bliss then dissipates exactly as ordinary pleasure dissipates, and leaves behind exactly what ordinary pleasure leaves behind: craving for more.

For the sake of the third empowerment

Finally, the stanza says that these practitioners act for the sake of the third empowerment. The third empowerment introduces the wisdom of bliss and emptiness, the example wisdom that points to the clear light. Its purpose is recognition. When it is pursued as an experience rather than as a door to recognition, it has already been misunderstood. One seeks the example and forgets the meaning; one collects the finger and never looks at the moon.

Why So Many Are Deceived

The Omniscient Longchenpa says many, not some. The deception is not rare, and its frequency is not an accident. It arises from the very nature of the practice, which uses the most powerful of all afflictions as its fuel. Four reasons make it uniquely easy to be deceived here.

Bliss resembles realisation

The completion stage distinguishes example wisdom, dpe’i ye shes, from ultimate wisdom, don gyi ye shes. The example is a genuine taste of bliss and emptiness that points beyond itself; the meaning is the clear light it points to. But the example is intense, and its intensity is easily mistaken for depth. A practitioner who experiences great bliss can feel certain that he has touched the ultimate, while in truth he has only had a powerful experience. The Great Perfection’s whole distinction between nyams, experience, and rtogs pa, realisation, exists to guard against precisely this confusion. Bliss that is not recognised as empty is not wisdom. It is an experience, and experiences bind as easily as they free.

Desire hides inside the path

In Finding Comfort and Ease in Meditation, the Omniscient Longchenpa lists the degenerations of each of the three experiences. Of bliss he says that its perverted form brings seminal loss, ordinary desire, unhappiness and laxity. These are not the faults of someone who has abandoned the path, but of someone practising it. Desire does not announce itself. It enters wearing the clothes of method, speaking the language of the third empowerment, and the more sophisticated the practitioner’s knowledge, the more convincingly it can disguise itself.

The prerequisites are almost never met

The tantras and their commentators set conditions that very few fulfil. The practitioner must be stable in the development stage, so that the consort is perceived as the deity and not as an object of ordinary desire. He must have trained in the channels and winds until, as the commentaries on Rigzin Jigme Lingpa’s Treasury of Precious Qualities put it, the channels have been straightened, the winds purified and the essence-drops correctly positioned; only then can a consort be relied upon, and not in the manner of ordinary desire but of the bliss that liberates. He must be able to hold and reverse the essence. Above all, he must have recognised the nature of mind, so that bliss can be sealed with emptiness. Where these conditions are absent, the method has nothing to work with except desire.

A second person is involved

Unlike every other completion-stage practice, this one involves another human being. That changes everything. A practitioner who deceives himself in solitary meditation harms chiefly himself. A practitioner who deceives himself in union also involves the consort, whose body, trust and spiritual life are now at stake. The tradition insists that the consort, too, must be qualified, ripened by empowerment, practising from her own wisdom and her own free choice. Where this is not so, the practice is no longer a yoga of two wisdoms meeting, but the use of one person by another. The deception then wounds not one but two.

What the Omniscient Longchenpa Does Not Reject

It would be a grave misreading to take the sixteenth stanza as a rejection of the completion stage of bliss, or of the union of method and wisdom. The Omniscient Longchenpa honours both, explains both, and teaches the path of bliss in detail. What he rejects is its counterfeit, and he points the renunciate towards a way of realising the same bliss that does not depend on another person.

The great union in the Great Chariot

In the Great Chariot, his autocommentary on Finding Rest in the Nature of Mind, the Omniscient Longchenpa explains the completion stage and its samaya without any hint of disparagement. There he speaks of the mother and the father seen as radiance without difference, of the union of method and wisdom inseparable from simple space, which is called the great union, and of the syllables of the channels blazing with light. The union is presented as the very meaning of the completion stage: the inseparability of bliss and emptiness, of method and wisdom, of appearance and the expanse.

The method of great bliss without a consort

In Finding Comfort and Ease in Meditation, the Omniscient Longchenpa sets out three methods of introducing the natural state: through bliss, through clarity and through nonconceptuality. The method of bliss is the method of the upper door. The practitioner envisions the three channels, kindles the blazing syllable of fire at the navel within the central channel, lets nectar descend from the syllable at the crown until the four chakras and the whole body are filled with bliss, and then lets the bliss dissolve into a state beyond any concept. The Omniscient Longchenpa calls this the clear light Great Perfection of bliss and emptiness. He describes its fruits: all perceptions dawning as bliss, the mind no longer disturbed by attachment and aversion, the meaning of the teachings understood. The whole of the third empowerment’s bliss is present here, and no second person is needed.

This is the key to the sixteenth stanza. The Omniscient Longchenpa does not tell the renunciate to abandon the bliss of the completion stage. He tells him that this bliss is available through the inner method of Caṇḍālī and the descent and reversal of the essence within his own body, and ultimately through resting in the nature of mind itself. The consort is not the source of bliss. The source is the union of the white and red elements in the central channel, recognised by rigpa as its own radiance.

The two paths and the three capacities

The tantras of the Nyingma distinguish the path of liberation, grol lam, from the path of means, thabs lam. The path of means works with the channels, winds and essences, including, for some, union with a consort. The path of liberation works directly with the recognition of the nature of mind. Both lead to the same fruit. But they suit different people and different circumstances. The commentaries on the Treasury of Precious Qualities note that gradual practitioners train through the upper door, and only those capable of sudden accomplishment take support of the lower door, and only after the channels, winds and essence-drops have been fully trained.

The sixteenth stanza is spoken to the renunciate meditator, the hermit of the mountains for whom the Thirty Pieces of Heart Advice was written. For such a practitioner, the Omniscient Longchenpa’s counsel is unambiguous: the path of liberation is the direct way, and the path of the consort is, for most, a field of deception. That counsel is not a condemnation of the path; it is a diagnosis of the practitioners.

The Voices of the Lineage

The Omniscient Longchenpa’s warning does not stand alone. From India to Tibet, the masters who held this path most deeply were also the most insistent about its dangers. Their voices form a single chorus, and the sixteenth stanza is its clearest line.

Atīśa

In the Lamp for the Path to Awakening, Atīśa addresses those who keep the vow of celibacy. Because the Ādibuddha tantra strictly prohibits it, he says, those who practise pure conduct should not take the secret and wisdom empowerments. Even when the path of union is considered authentic, it is not for everyone, and the boundary is drawn by the practitioner’s vows and circumstances, not by his wishes.

Rigzin Jigme Lingpa and the commentators

The commentaries on Rigzin Jigme Lingpa’s Treasury of Precious Qualities repeat the same point within the Nyingma itself. For those who hold vows of discipline, to train literally in the path of means, relying on the secret maṇḍala of a consort, becomes an obstacle on their path and distorts their discipline. At the same time, the same commentary insists that one should never scorn or criticise a consort, for that does violence to the path of skilful means. The tradition holds both truths at once: the path is sacred, and it is not for most.

Adzom Gyalse Gyurme Dorje

In his notes on the channel-and-wind practices of the Longchen Nyingthig, Adzom Gyalse Gyurme Dorje gives the warning in its most practical form. One should not be proud of yogic falls, of holding the breath for a long time, or of generating bliss and heat. These are ephemeral. The true signs of progress are that the winds and the mind have become pliable in the four chakras, that the knots in the channels have been released, and that the qualities of the paths have arisen. The bliss is not the measure. What the bliss does to the mind is the measure.

A practice that leaves desire, pride and self-cherishing stronger than before has failed, whatever its outward form and whatever experiences it has produced.

The Path of Liberation

The Omniscient Longchenpa’s refrain is not a negation but an invitation: practise the path of liberation. In the Great Perfection, the path of liberation does not bypass bliss; it contains it. What the path of means seeks through the union of two bodies, the path of liberation finds in the union that was never broken: awareness and its own space, Samantabhadra and Samantabhadrī.

The consort who was never absent

Every depiction of Samantabhadra in union with Samantabhadrī is a teaching on this point. The father is awareness, the mother is the expanse; their union is the nature of mind, primordially pure and spontaneously present. They are not two beings who meet; they are one reality seen from two sides. The practitioner of the Great Perfection who recognises rigpa has found the consort who was never absent, the wisdom-mother of his own nature. In that recognition, bliss arises not as an excitation produced by contact but as the natural radiance of the unborn.

Desire liberated in itself

In Finding Comfort and Ease in Meditation, the Omniscient Longchenpa gives the essential instruction for desire itself: look piercingly into the mind that experiences ordinary desire, rest in an uncontrived state free of hope and fear, and desire will be freed by itself, and the wisdom of bliss and emptiness will dawn. This is the path of liberation applied to the very affliction that the path of means uses as fuel. Desire is not suppressed, not acted upon, not transformed by a technique. It is recognised, and in that recognition it reveals the bliss and emptiness that were its nature all along. Nothing more is needed, and nothing outside oneself is involved.

All three methods meet in one ocean

The Omniscient Longchenpa insists that the realisations arising from the methods of bliss, clarity and nonconceptuality are of one equal taste, like rivers converging in the ocean. Whichever door one enters, when the ordinary activity of mind dissolves into the space-like unborn nature, the sun of natural clear light dawns from within. The bliss of the third empowerment is therefore not a special prize reserved for those who take a consort. It is one doorway into a realisation that every doorway reaches. The renunciate who rests in the nature of mind loses nothing by not walking the path of union, for the realisation he finds is the same realisation that the path of union exists to reveal.

The body of light without a second body

In the Heart Essence, the channels and winds are not abandoned on the path of liberation; they are transformed by it. When awareness rests in its own place, the winds naturally subside, and the central channel, as our Root-Guru teaches, naturally expands to include all the channels in its flow. The bliss of the completion stage then arises by itself, without method and without partner, as a sign of awareness abiding in its own nature. This is why the great yogins of the Great Perfection could live as hermits, in complete solitude, and still attain the rainbow body: the union that the path of means seeks outwardly was accomplished inwardly, in the indivisibility of rigpa and its space.

The Stanza in Our Own Time

Seven centuries after it was written, the sixteenth stanza reads as if it were addressed to our own age. The secret language of Secret Mantra has travelled across the world faster than its prerequisites, its safeguards and its culture of discretion. In that gap, the deception Longchenpa described has taken forms he might not have imagined, and many, again, have been deceived, as practitioners, and far more painfully, as those who were used.

When the path becomes a cover

The gravest form of the contaminated practice is not the sincere self-deception of a yogin, but the deliberate use of the language of the third empowerment to obtain access to another person’s body. When a teacher invokes the consort path to justify sexual relations with a student, when secrecy is demanded not to protect a sacred practice but to prevent scrutiny, when the student’s consent is shaped by fear, devotion or dependence, then nothing of the path remains. There is only the exploitation of trust, dressed in the most sacred vocabulary of the tradition. The tantras call the guru the Buddha; that is precisely why the abuse of this position is so grave.

Signs by which the counterfeit can be known

The masters give criteria that can be applied with clarity. The authentic path of union presupposes stability in the development stage, mastery of the channels and winds, recognition of the nature of mind, and a consort who is herself a practitioner, qualified, free and choosing from her own wisdom. Its fruit is a reduction of desire, pride and self-cherishing, and an increase of compassion and pliancy. Where, by contrast, the practice is demanded rather than offered, hidden in order to avoid accountability, accompanied by coercion, threats or the breaking of the other person’s trust, or leaves behind confusion, injury and fear, one may know with certainty that it is not the path. No realisation is ever expressed through harm.

What a practitioner should do

The Omniscient Longchenpa’s refrain gives the safest answer for nearly everyone: practise the path of liberation. Rest in the nature of mind. Train in the inner yogas of the channels and winds, in the method of great bliss of the upper door, in the bliss and emptiness of the Ḍākinī, under the guidance of a teacher whose conduct is transparent. Let bliss arise as the radiance of recognition, not as a pursuit. And if anyone ever presents union as a requirement of the path, or as a secret obligation owed to the teacher, remember the stanza of the Omniscient One: many have been deceived by such ways. To refuse such a demand is not a breach of samaya. It is fidelity to the Dharma itself. And it is fidelity to the Omniscient Longchenpa.

To Practise the Path of Liberation

The sixteenth stanza is four lines long, and it contains a whole teaching on the most precarious threshold of the Secret Mantra. It honours the path of union by naming it precisely; it refuses its counterfeit by naming that precisely too; and it points the practitioner, with the tenderness of one who writes for himself as much as for others, towards the path that cannot be counterfeited.

For the path of liberation has no outer form that desire could borrow. There is nothing in it to perform, nothing to obtain from another, no experience to collect. There is only the recognition of the nature of mind, and that recognition either is or is not. Desire cannot imitate it, because desire is exactly what it frees. Pride cannot use it, because pride is exactly what it dissolves. This is why the Omniscient Longchenpa, who knew every method of the tantras, gave this one as his heart advice.

The union of method and wisdom is the nature of things. It is the union of Samantabhadra and Samantabhadrī, of the white and the red in the central channel, of bliss and emptiness in the clear light. Some are able to realise it through the path of means, and the tradition honours them. But the union itself is not hidden in another’s body. It is the very nature of one’s own mind, and it can be found there, in solitude, in silence, in the open sky of awareness, by anyone who looks.

“To practise the path of liberation is my heart advice.”

- The Omniscient Longchenpa

Previous
Previous

The Seventeen Dzogchen Tantras of the Upadeśa Series

Next
Next

Living on the Copper-Coloured Mountain